No Country For Old Man Weitere Serien und Filme
Im Jahr im US-Bundesstaat Texas wundert sich Sheriff Ed Tom Bell über das gewalttätige Verhalten der heutigen Gesellschaft. Gleichzeitig bricht der Auftragskiller Anton Chigurh aus dem Gefängnis aus. Wieder an anderer Stelle beobachtet der. No Country for Old Men ist ein US-amerikanischer Spielfilm von Ethan und Joel Coen aus dem Jahr mit Tommy Lee Jones, Javier Bardem und Josh Brolin. No Country For Old Men. ()1h 57minX-Ray Bei der Antilopenjagd im Südwesten von Texas entdeckt Llewelyn Moss die Leichen mehrerer Männer. No Country for Old Men ist mit Abstand der gewalttätigste Film von Joel und Ethan Coen (u.a. Fargo, The Man who wasn`t there, O Brother, where Art Thou?). No Country for Old Men. 2 Std. 2 kobogo.coekrönte Filme. Llewelyn Moss stolpert bei der Jagd über einen gescheiterten Drogendeal und macht sich mit.
No Country for Old Men. USA, Thriller. Ein Mann findet Millionen Dollar Drogengeld in einem Koffer und hat bald jede Menge Probleme à la Coen. No Country for Old Men. 2 Std. 2 kobogo.coekrönte Filme. Llewelyn Moss stolpert bei der Jagd über einen gescheiterten Drogendeal und macht sich mit. "No Country for old Men" hat vier Oscars erhalten, darunter Beste Regie und Bester Film. Joel und Ethan Coen erzählen in diesem Meisterwerk. I think it makes the movie much more suspenseful. However, to my disappointment, the slim supplemental https://kobogo.co/filme-stream-hd/claude-monet-sonnenaufgang.php doesn't include a just click for source needed directors' commentary from the Coens. When the No Country For Old Man pours himself a glass of milk from the bottle that stands sweating on the living room table—a sign that the sheriff and his colleague, deputy Wendell Garret Dillahuntonly just missed their man—this mirroring of images goes beyond the level of reflection, and Chigurh enters into the sheriff's constitution, thus further undermining any easy opposition of Chigurh and the sheriff, opinion Hd-Plus.De/Reload obviously instead exposing a certain affinity, intimacy, or similarity even between. It was the 5th highest ranking film at the Die Wolke Buch box office in the weekend ending December 16, Still, the Coens open the film with a voice-over narration by Tommy Lee Jones who plays Sheriff Ed Tom Bell set against the barren Texas country landscape where he makes his home. His father says not a word as he passes but Ed knows that his father has ridden on ahead, braved the dark and cold, to prepare a fire for Ed. Download as PDF Printable version. Kenneth S. He retrieves the briefcase just before Chigurh opens the duct. Richard Gillmore states that "the previous Coen brothers movie that has the most in common with No Country for Old Men is, in fact, Article source In No Country for Old Men flieht Josh Brolin vor Javier Bardem, dem organisierten Verbrechen und der Polizei, weil er zwei Millionen Dollar an sich. "No Country for old Men" hat vier Oscars erhalten, darunter Beste Regie und Bester Film. Joel und Ethan Coen erzählen in diesem Meisterwerk. No Country for Old Men. USA, Thriller. Ein Mann findet Millionen Dollar Drogengeld in einem Koffer und hat bald jede Menge Probleme à la Coen.
Chigurh hides behind the door after retrieving the money. Bell enters Moss's room and sees that the vent has been removed.
Later, Bell visits his uncle Ellis, an ex-lawman, and tells him he plans to retire because he feels "over-matched".
Ellis clarifies that the region has always been violent. Weeks later, Carla Jean returns from her mother's funeral to find Chigurh waiting in her bedroom, as per his threat to Moss.
She refuses his offer of a coin toss for her life, stating that he cannot pass blame to luck: the choice is his. Chigurh checks his boots as he leaves the house.
As he drives through the neighborhood, a car crashes into his at an intersection and Chigurh is injured. He bribes two young witnesses for their silence and flees.
Now retired, Bell shares two dreams with his wife. In the first, he lost some money his father had given him. In the other, he and his father were riding through a snowy mountain pass; his father had gone ahead to make a fire in the darkness and wait for Bell.
The role of Llewelyn Moss was originally offered to Heath Ledger , but he turned it down to spend time with his newborn daughter Matilda.
Josh Brolin was not the Coens' first choice, and enlisted the help of Quentin Tarantino and Robert Rodriguez to make an audition reel.
His agent eventually secured a meeting with the Coens and he was given the part. Javier Bardem nearly withdrew from the role of Anton Chigurh due to issues with scheduling.
English actor Mark Strong was put on standby to take over, but the scheduling issues were resolved and Bardem took on the role.
Producer Scott Rudin bought the film rights to McCarthy's novel and suggested an adaptation to the Coen brothers , who at the time were attempting to adapt the novel To the White Sea by James Dickey.
Joel Coen said that the book's unconventional approach "was familiar, congenial to us; we're naturally attracted to subverting genre.
We liked the fact that the bad guys never really meet the good guys, that McCarthy did not follow through on formula expectations. The Coens' script was mostly faithful to the source material.
On their writing process, Ethan said, "One of us types into the computer while the other holds the spine of the book open flat.
As explained by Kelly Macdonald, "the ending of the book is different. She reacts more in the way I react. She kind of falls apart.
In the film she's been through so much and she can't lose any more. It's just she's got this quiet acceptance of it.
Richard Corliss of Time stated that "the Coen brothers have adapted literary works before. But No Country for Old Men is their first film taken, pretty straightforwardly, from a [contemporary] prime American novel.
The writing is also notable for its minimal use of dialogue. Josh Brolin discussed his initial nervousness with having so little dialogue to work with:.
I mean it was a fear, for sure, because dialogue, that's what you kind of rest upon as an actor, you know? Drama and all the stuff is all dialogue motivated.
You have to figure out different ways to convey ideas. You don't want to overcompensate because the fear is that you're going to be boring if nothing's going on.
You start doing this and this and taking off your hat and putting it on again or some bullshit that doesn't need to be there. So yeah, I was a little afraid of that in the beginning.
Peter Travers of Rolling Stone praised the novel adaptation. Good and evil are tackled with a rigorous fix on the complexity involved.
Director Joel Coen justified his interest in the McCarthy novel. Because you only saw this person in this movie making things and doing things in order to survive and to make this journey, and the fact that you were thrown back on that, as opposed to any dialogue, was interesting to us.
Coen stated that this is the brothers' "first adaptation". He further explained why they chose the novel: "Why not start with Cormac?
Why not start with the best? He believed that the author liked the film, while his brother Ethan said, "he didn't yell at us.
The title is taken from the opening line of 20th-century Irish poet William Butler Yeats ' poem " Sailing to Byzantium ": .
That is no country for old men. Caught in that sensual music all neglect Monuments of unageing intellect. Richard Gillmore relates the Yeats poem to the Coens' film.
It is also a lament for the way the young neglect the wisdom of the past and, presumably, of the old Yeats chooses Byzantium because it was a great early Christian city in which Plato's Academy , for a time, was still allowed to function.
The historical period of Byzantium was a time of culmination that was also a time of transition. In his book of mystical writings, A Vision , Yeats says, 'I think that in early Byzantium, maybe never before or since in recorded history, religious, aesthetic, and practical life were one, that architect and artificers It is an ideal rarely realized in this world and maybe not even in ancient Byzantium.
Certainly within the context of the movie No Country for Old Men , one has the sense, especially from Bell as the chronicler of the times, that things are out of alignment, that balance and harmony are gone from the land and from the people.
Craig Kennedy adds that "one key difference is that of focus. The novel belongs to Sheriff Bell. Each chapter begins with Bell's narration, which dovetails and counterpoints the action of the main story.
Though the film opens with Bell speaking, much of what he says in the book is condensed and it turns up in other forms. Also, Bell has an entire backstory in the book that doesn't make it into the film.
The result is a movie that is more simplified thematically, but one that gives more of the characters an opportunity to shine.
Jay Ellis elaborates on Chigurh's encounter with the man behind the counter at the gas station. Where the book describes the setting as 'almost dark', the film clearly depicts high noon: no shadows are notable in the establishing shot of the gas station, and the sunlight is bright even if behind cloud cover.
The light through two windows and a door comes evenly through three walls in the interior shots. But this difference increases our sense of the man's desperation later, when he claims he needs to close and he closes at 'near dark'; it is darker, as it were, in the cave of this man's ignorance than it is outside in the bright light of truth.
In advance of shooting, cinematographer Roger Deakins saw that "the big challenge" of his ninth collaboration with the Coen brothers was "making it very realistic, to match the story I'm imagining doing it very edgy and dark, and quite sparse.
Not so stylized. It's that order of planning. And we only shot , feet, whereas most productions of that size might shoot , or a million feet of film.
It's quite precise, the way they approach everything. We never use a zoom," he said. You're actually getting closer to somebody or something.
It has, to me, a much more powerful effect, because it's a three-dimensional move. A zoom is more like a focusing of attention.
You're just standing in the same place and concentrating on one smaller element in the frame. Emotionally, that's a very different effect.
In a later interview, he mentioned the "awkward dilemma [that] No Country certainly contains scenes of some very realistically staged fictional violence, but We were aware of those similarities, certainly.
Director Joel Coen described the process of film making: "I can almost set my watch by how I'm going to feel at different stages of the process.
It's always identical, whether the movie ends up working or not. I think when you watch the dailies, the film that you shoot every day, you're very excited by it and very optimistic about how it's going to work.
And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away.
And then it gradually, maybe, works its way back, somewhere toward that spot you were at before. After watching this foolhardy but physically gifted and decent guy escape so many traps, we have a great deal invested in him emotionally, and yet he's eliminated, off-camera, by some unknown Mexicans.
He doesn't get the dignity of a death scene. The Coens have suppressed their natural jauntiness. They have become orderly, disciplined masters of chaos, but one still has the feeling that, out there on the road from nowhere to nowhere, they are rooting for it rather than against it.
Josh Brolin discussed the Coens' directing style in an interview, saying that the brothers "only really say what needs to be said.
They don't sit there as directors and manipulate you and go into page after page to try to get you to a certain place. They may come in and say one word or two words, so that was nice to be around in order to feed the other thing.
I'll just watch Ethan go humming to himself and pacing. Maybe that's what I should do, too. Maybe it was because we both [Brolin and Javier Bardem ] thought we'd be fired.
With the Coens, there's zero compliments, really zero anything. No 'nice work. And then—I'm doing this scene with Woody Harrelson. Woody can't remember his lines, he stumbles his way through it, and then both Coens are like, 'Oh my God!
We tried to give it the same feeling. The Coens minimized the score used in the film, leaving large sections devoid of music. The concept was Ethan's, who persuaded a skeptical Joel to go with the idea.
There is some music in the movie, scored by the Coens' longtime composer, Carter Burwell , but after finding that "most musical instruments didn't fit with the minimalist sound sculpture he had in mind Sound editing and effects were provided by another longtime Coens collaborator, Skip Lievsay , who used a mixture of emphatic sounds gun shots and ambient noise engine noise, prairie winds in the mix.
The Foley for the captive bolt pistol used by Chigurh was created using a pneumatic nail gun. Anthony Lane of The New Yorker states that "there is barely any music, sensual or otherwise, and Carter Burwell's score is little more than a fitful murmur",  and Douglas McFarland states that "perhaps [the film's] salient formal characteristic is the absence, with one telling exception, of a musical soundtrack, creating a mood conducive to thoughtful and unornamented speculation in what is otherwise a fierce and destructive landscape.
But it is there, telling our unconscious that something different is occurring with the toss; this becomes certain when it ends as Chigurh uncovers the coin on the counter.
The deepest danger has passed as soon as Chigurh finds and Javier Bardem's acting confirms this and reveals to the man that he has won.
Dennis Lim of The New York Times stressed that "there is virtually no music on the soundtrack of this tense, methodical thriller.
Long passages are entirely wordless. In some of the most gripping sequences what you hear mostly is a suffocating silence.
The idea here was to remove the safety net that lets the audience feel like they know what's going to happen. I think it makes the movie much more suspenseful.
You're not guided by the score and so you lose that comfort zone. James Roman observes the effect of sound in the scene where Chigurh pulls in for gas at the Texaco rest stop.
As the scene opens in a long shot, the screen is filled with the remote location of the rest stop with the sound of the Texaco sign mildly squeaking in a light breeze.
The sound and image of a crinkled cashew wrapper tossed on the counter adds to the tension as the paper twists and turns. The intimacy and potential horror that it suggests is never elevated to a level of kitschy drama as the tension rises from the mere sense of quiet and doom that prevails.
Jeffrey Overstreet adds that "the scenes in which Chigurh stalks Moss are as suspenseful as anything the Coens have ever staged.
And that has as much to do with what we hear as what we see. No Country for Old Men lacks a traditional soundtrack, but don't say it doesn't have music.
The blip-blip-blip of a transponder becomes as frightening as the famous theme from Jaws. The sound of footsteps on the hardwood floors of a hotel hallway are as ominous as the drums of war.
When the leather of a briefcase squeaks against the metal of a ventilation shaft, you'll cringe, and the distant echo of a telephone ringing in a hotel lobby will jangle your nerves.
While No Country for Old Men is a "doggedly faithful" adaptation of McCarthy's novel and its themes, the film also revisits themes which the Coens had explored in their earlier movies Blood Simple and Fargo.
Still, the Coens open the film with a voice-over narration by Tommy Lee Jones who plays Sheriff Ed Tom Bell set against the barren Texas country landscape where he makes his home.
His ruminations on a teenager he sent to the chair explain that, although the newspapers described the boy's murder of his year-old girlfriend as a crime of passion, "he told me there weren't nothin' passionate about it.
Said he'd been fixin' to kill someone for as long as he could remember. Said if I let him out of there, he'd kill somebody again. Said he was goin' to hell.
Reckoned he'd be there in about 15 minutes. And their impact has been improved upon in the delivery. When I get the DVD of this film, I will listen to that stretch of narration several times; Jones delivers it with a vocal precision and contained emotion that is extraordinary, and it sets up the entire film.
In The Village Voice , Scott Foundas writes that "Like McCarthy, the Coens are markedly less interested in who if anyone gets away with the loot than in the primal forces that urge the characters forward In the end, everyone in No Country for Old Men is both hunter and hunted, members of some endangered species trying to forestall their extinction.
New York Times critic A. Scott observes that Chigurh, Moss, and Bell each "occupy the screen one at a time, almost never appearing in the frame together, even as their fates become ever more intimately entwined.
Variety critic Todd McCarthy describes Chigurh's modus operandi : "Death walks hand in hand with Chigurh wherever he goes, unless he decides otherwise Occasionally, however, he will allow someone to decide his own fate by coin toss, notably in a tense early scene in an old filling station marbled with nervous humor.
Jim Emerson describes how the Coens introduced Chigurh in one of the first scenes when he strangles the deputy who arrested him: "A killer rises: Our first blurred sight of Chigurh's face As he moves forward, into focus, to make his first kill, we still don't get a good look at him because his head rises above the top of the frame.
Even the one who claims to know him cannot even begin to stop or even slow him down. Bardem whom I have not had the pleasure of seeing in anything before is gold and like no other before looks to have the supporting actor award locked up in this performance.
His presence is felt, even when he does not show up. I cannot really describe the film that well so I will suffice to say that is best modern western tale I have seen since The Three Burials of Melquiades, which also happened to have Tommy Lee Jones and was directed by him to boot.
Another thing I noted was the lack of strong score. The filmmakers just seemed to let the sounds of the creaking boots and the desert landscape speak for the film.
It felt natural and a bit menacing. Sign In. Keep track of everything you watch; tell your friends.
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Crazy Credits. Alternate Versions. Rate This. Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande.
Directors: Ethan Coen , Joel Coen. Watch on Prime Video included with Prime. Added to Watchlist. From metacritic. Everything New on Disney Plus in June.
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User Polls Top 25 two-word movie quotes Top Rated Movies Won 4 Oscars. Ed Tom Bell Javier Bardem Anton Chigurh Josh Brolin Llewelyn Moss Woody Harrelson Carson Wells Kelly Macdonald Carla Jean Moss Garret Dillahunt After all, Anton may kill others, but what has he gained?
He is none the wealthier or wiser by the end and none of the good people have come around to his way of thinking. But some men, men like Ed, have a hope far greater than anything Anton could begin to imagine.
There may be no country for old men, but perhaps there is a kingdom for them. Anton does get the money, and he does kill the wife.
Hence why he checked his shoes. Attention to detail Mr Author! Attention to details says he got the money. Home Longform more. Defanging the Unthinkable.
A Fitting, Impressive Goodbye. Breaking Standards with Julian Rosefeldt of "Manifesto". Now Playing: "From Nowhere". Now Playing: "Fifty Shades Darker".
Now Playing: "War on Everyone". Now Playing: "The Salesman". Mousterpiece Cinema, Episode "Kundun".Javier Bardem. Kelly Macdonald. The Counselor. Die Liebe in den Zeiten der Article source. Sein Opfer ist der Mann mit der Geldtasche. Burn After Reading - Wer verbrennt sich hier die Finger? Listen mit No Country for Old Men. In derselben Nacht kehrt er noch einmal zu dem Ort des mysteriösen Massakers zurück, um dem Überlebenden zu helfen. Filme wie No Country for Old FГјr Spinner Dinner.
External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions.
Rate This. Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande.
Directors: Ethan Coen , Joel Coen. Watch on Prime Video included with Prime. Added to Watchlist. From metacritic.
Everything New on Disney Plus in June. Oscar-Winning Movies Available on Prime. My Favorite Movies.
Watched by me. Use the HTML below. You must be a registered user to use the IMDb rating plugin. User Polls Top 25 two-word movie quotes Top Rated Movies Won 4 Oscars.
Ed Tom Bell Javier Bardem Anton Chigurh Josh Brolin Llewelyn Moss Woody Harrelson Carson Wells Kelly Macdonald Carla Jean Moss Garret Dillahunt Wendell Tess Harper Loretta Bell Barry Corbin Ellis Stephen Root Man who hires Wells Rodger Boyce El Paso Sheriff Beth Grant Carla Jean's Mother Ana Reeder Poolside Woman Kit Gwin Sheriff Bell's Secretary Zach Hopkins Strangled Deputy Chip Love Learn more More Like This.
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Django Unchained Drama Western. The Big Lebowski Comedy Crime Sport. Pulp Fiction Crime Drama.
Taxi Driver Reservoir Dogs The Departed Scarface In Miami, a determined Cuban immigrant takes over a drug cartel and succumbs to greed.
Shutter Island Mystery Thriller. The Shining Drama Horror. Edit Storyline In rural Texas, welder and hunter Llewelyn Moss Josh Brolin discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong.
Edit Did You Know? Trivia In the novel, Sheriff Bell says of the dope-dealers, "Here a while back in San Antonio they shot and killed a federal judge.
Goofs When Moss picks a cab to take in Del Rio after exiting the airport, behind that cab is a cab with a license plate of J8R Later in the film, at the crime scene, Moss's wife drives up to the motel in a cab with the same license plate number, J8R, as the one outside of the airport.
Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that.
Maybe death is a steep penalty for theft, but perhaps not. Llewelyn does something evil and Anton is a sort of grim reaper coming to punish him for his transgressions.
When Anton tries to cut a deal with Llewelyn, Llewelyn refuses, believing that he can save himself, his wife, and keep the money.
He says he will leave her fate to the coin and asks her to call it. She refuses, saying it is Anton who makes the choice to kill, not some random flip of the coin, and thus demanding that he take responsibility for his brutal actions.
Even as random as the violence may seem, Carla Jean refuses to accept the world as simply an indifferent flip of a quarter. Random chance has made him the victim this time around.
His belief in a world of chaotic evil is disrupted by two boys who come to his aid as he lies on the street. Anton offers to buy the shirt from one of the boys, but the boy offers his shirt for free and only reluctantly takes the money.
Anton is thus undone by the simple goodness of ordinary, everyday people. The world is not nearly as senseless or evil as he would like to believe it to be.
The Coen Brothers tell a similar story in Fargo. Marge Gunderson Frances McDormand is a chipper small-town police chief who is seven months pregnant.
Marge places Gaear in the back of her car after wounding him as he tries to escape. His father says not a word as he passes but Ed knows that his father has ridden on ahead, braved the dark and cold, to prepare a fire for Ed.
Anton only wins in the most superficial sense. After all, Anton may kill others, but what has he gained?
He is none the wealthier or wiser by the end and none of the good people have come around to his way of thinking.
But some men, men like Ed, have a hope far greater than anything Anton could begin to imagine. There may be no country for old men, but perhaps there is a kingdom for them.
Anton does get the money, and he does kill the wife. Hence why he checked his shoes. Attention to detail Mr Author!
Attention to details says he got the money. Home Longform more. Defanging the Unthinkable.Aside from the truck owner who is shot in the head after Moss flags him down, both the motel clerk and Wells's death occur click. No 'nice work. Doesn't Elva Josephson you Boston Are Ulrike Mandt really. This initial weaving together of the figures of Chigurh and the sheriff is further developed later on in the film, when the sheriff visits Llewelyn Click to see more trailer home in search for Moss and his wife, Carla Jean. Both praised the film for its visual language and suspense, David commenting that "Hitchcock wouldn't have done the suspense better". He further added that "we couldn't conceive it, sort of soft pedaling that in the movie, and really doing a thing click at this page the book Archived from the original on July 16, When Anton tries to please click for source a deal with Llewelyn, Llewelyn refuses, believing that he can save himself, his wife, and keep the money.